Unfortunately,
I don’t often have the opportunity to listen to Public Radio International’s The
World, which airs locally Monday - Thursday on WAMU at 8 pm. The program features an hour of in depth
reporting about global topics – both current events and interest pieces, like
NPR’s newsmagazines. I try to tune in
when I’m alone at home, often while making and eating dinner.
Last
night’s broadcast featured a brief profile of a new art form springing up in post-revolution
Tunisia called collaborative painting.
One artist starts a painting, and up to five others join in. Anyone can jump in at any time, and all are
free to paint over anything that has already been painted. Described in the piece as organized chaos,
the exercise often results in a work of art that could have easily been
produced by a sole artist. This ability
of an organically evolving group effort to mimic the talent of an individual is
fascinating.
Over
the past several days, I’ve been reconsidering my desire to go to Egypt,
Jordan, and Israel next spring or fall in favor of a possible trip to
Tunisia. That swing through the Middle
East is still exceptionally appealing, but Egypt has some significant issues to work out
related to the role of the military in civilian government that seem farther
from resolution than I thought and some suggest that Jordan may be
teetering on the brink. Tunisia, on the
other hand, held laudably open and non-violent elections last month.
I
do not fear traveling to countries working through the aftermath of the Arab
Spring and, indeed, am doubly excited by the prospect of observing the birth
and growing pains of fresh democracy.
Ongoing violence and civil unrest, however, is likely best avoided.
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